Mario Klingemann (b. 1970) is an artist who uses algorithms and artificial intelligence to create and investigate systems. He is particularly interested in human perception of art and creativity, researching methods in which machines can augment or emulate these processes. Thus his artistic research spans a wide range of areas like generative art, cybernetic aesthetics, information theory, robotics, feedback loops, pattern recognition, emergent behaviors, neural networks, cultural data or storytelling.

Some of his works with artificial intelligence are seen as pioneering examples of the new wave of "AI Art" that emerged in the past decade: Memories of Passersby I, Uncanny Mirror, Appropriate Response and Botto have all received critical acclaim, have become part of the academic media art curriculum and been exhibited internationally.

Klingemann was the winner of the Lumen Prize Gold 2018, received an honorary mention at the Prix Ars Electronica 2020 and won the British Library Labs Creative Award 2015. He was an artist in residence at the Google Arts & Culture Lab and has been recognized as a pioneer in the field of AI art. Klingemann's work has been featured in art publications as well as academic research and has been shown in international museums and at art festivals like Ars Electronica, the Centre Pompidou, ZKM, the Barbican, the Ermitage, the Photographers' Gallery, Colección Solo Madrid, Nature Morte Gallery New Delhi, Residenzschloss Dresden, Grey Area Foundation, Mediacity Biennale Seoul, the British Library and MoMA. Klingemann is represented by Onkaos, Madrid and DAM Gallery Berlin.